2022 Research Fellow: Rory O'Dea

We are pleased to announce our first 2022 Holt/Smithson Foundation Research Fellowship awardee: Rory O'Dea.

Rory O’Dea is an Assistant Professor of Contemporary Art and Design and the Associate Dean of the School of Art and Design History and Theory. He received his PhD in art history from the Institute of Fine Arts at New York University, and his scholarship explores the ways that visual art intersects with ecology, geology, and fiction as a means to produce speculative realities and alternative modes of knowledge. At Parsons, his pedagogy is rooted in the intersection of theory and practice and explores the ways that art history shapes and is shaped by artistic research. His monograph titled Robert Smithson, Land Art, and Speculative Realities will be published by Routledge in 2023.

Rory O'Dea's Project Description

"Encompassing site-studies, ethnography, and archival research at ecological and historical institutions, my fellowship project will investigate the local cultures--human and nonhuman--of the Pine Barrens, New Jersey that have been erased or are under threat of erasure by the processes of industrialization and environmental degradation. More specifically, my project will examine the connections and tensions between the contemporary movements to preserve the “wilderness” of the Pine Barrens and the human culture of its long-standing communities. At the same time, my research of the Pine Barrens represents a critical opportunity to investigate the ways that Holt and Smithson collaboratively and individually produced work in response to the same site. Finally, my research addresses the question of how contemporary art can productively respond to and mediate the various land uses of the site to achieve a sustainable future will be central."

Read Rory O'Dea's text "Robert Smithson’s Fictions: A Speculative Reading of 'The Monuments of Passaic'" published as part of our Scholarly Text series.

Nancy Holt, Pine Barrens [still] (1975)

Archived News

"Nancy Holt / Inside Outside" at Bildmuseet

We are very pleased to announce the exhibition Nancy Holt / Inside Outside launches this June, produced by Bildmuseet, one of Sweden’s foremost contemporary art venues. The exhibition explores the artist’s rich artistic legacy through a selection of works spanning 1967 to 1992. This is the most ambitious exhibition of her work to date. Perceptions and demarcations of being "inside" and "outside" guide this survey exhibition.

Robert Smithson works in "The Power of Wonder" at Museum unter Tage in Bochum, Germany

Works by Robert Smithson will be included in the group exhibition The Power of Wonder: New Materialisms in Contemporary Art at Museum unter Tage in Bochum, Germany. 

Two artworks that Robert Smithson originally made during his time in Germany in 1969 will be on view in the exhibition: Mirror Displacement: Indoors (1969) and Essen Earth  and Mirrors (for Bernd and Hilla Becher) (1969).

"Second Site" by James Nisbet

Author and art historian James Nisbet has recently written a new book titled Second Site, which explores "how environmental change and the passage of time transform the meaning of site-specific art." Second Site examines the effect of changing conditions on a number of site-specific artworks, including both Nancy Holt's Sun Tunnels (1973-76) and Robert Smithson's 

Discussions On "Sound As Sculpture"

A significant selection of audio works by Nancy Holt are currently on view in the group exhibition Sound as Sculpture at The Warehouse Dallas

The Warehouse is hosting a series of discussions on the exhibition Sound As Sculpture, including one upcoming discussion on Nancy Holt's sound works with Lisa Le Feuvre and James Nisbet this Friday, March 18.

Tuesday Texts: Chapter Three

We are delighted to announce that throughout February we will be publishing a third chapter of our Tuesday Text Series as part of our ongoing Scholarly Text Program, which invites thinkers to focus on a single artwork by Holt and/or Smithson.

Every Tuesday we will publish a text to our website that includes images selected by the author, a short bibliography, citation reference, and endnotes pointing to the author’s references.